Label: EGEA Music - EGEDIS 007 • Format: CD Album • Country: Italy • Genre: Jazz •
Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz.
He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter The Eagle Has Landed - Saxon - Heavy Metal Thunder Tour 2003 Davis and pianist Thelonious Monk.
Over the course of his career, Coltrane's music took on an increasingly spiritual dimension. He remains one of the most influential saxophonists in music history. He received many posthumous awards, including canonization by the African Orthodox Church and a Pulitzer Prize in No Tribute Just The Music Of Coltra Coltrane  and his mother was Alice Blair.
Beginning in Decemberhis father, aunt, and grandparents died within a few months of each other, leaving him to be raised by his mother and a close cousin. In September, his mother bought him his first saxophone, an alto. From early to mid he had his first professional work: a "cocktail lounge trio" with piano and guitar.
To avoid being drafted by the Army, Coltrane enlisted in No Tribute Just The Music Of Coltra Navy on August 6,the day the first U. Coltrane's musical talent was recognized, and he became one of the few Navy men to serve as a musician without having been granted musician's rating when he joined the Melody Masters, the base swing band.
By the end of his service, he had assumed a leadership role in the band. His first recordings, an informal session in Hawaii with Navy musicians, occurred on July 13, After being discharged from the Navy as a seaman first class in AugustColtrane returned to Philadelphia, where he "plunged into the heady excitement of the new music and the blossoming bebop scene.
Although he started on alto saxophone, he began playing tenor saxophone in with Eddie Vinson. Coltrane called this a time when "a wider area of After The Rain - Stefano Cantini - Living Coltrane - No Project opened up for me.
There were many things that people like Hawk [Coleman Hawkins]and Ben [Webster] and Tab Smith were doing in the '40s that I didn't understand, but that I felt emotionally. Hasaan was the great influence on Trane's melodic concept.
Heath recalls an incident in a hotel in San Francisco when after a complaint was issued, Coltrane took the horn out of his mouth and practiced fingering for a full hour. An important moment in the progression of Coltrane's musical development occurred on June 5,when he saw Charlie Parker perform for the first time. In a DownBeat magazine article in he recalled, "the first time I heard Bird play, it hit me right between the eyes. In the summer ofColtrane was freelancing in Too Much - Elvis Presley - Les 40 Plus Grands Succès - Une Edition Speciale while studying with guitarist Dennis Sandole when he received a call from Davis.
The trumpeter, whose success during the late forties had been followed by several years of decline in activity and reputation, due in part to his struggles with heroinwas again active and about to form a quintet. During this period Davis released several influential recordings that revealed the first signs of Coltrane's growing ability. This quintet, represented by two marathon recording sessions for Prestige inresulted in the albums Cookin'Relaxin'Workin'and Steamin'.
The "First Great Quintet" disbanded due in part to Coltrane's heroin addiction. Coltrane recorded many albums for Prestige under his own name at this time, but Monk refused to record for his old label.
A high quality tape of a concert given by this quartet in November was also found later, and was released by Blue Note in Recorded by Voice of Americathe performances confirm the group's reputation, and the resulting album, Thelonious Monk Quartet with John Coltrane at Carnegie Hallis widely acclaimed.
Blue TrainColtrane's sole date as leader for Blue Note, featuring trumpeter Lee Morganbassist Paul Chambersand trombonist Curtis Fuller No Tribute Just The Music Of Coltra, is often considered his best album from this period. Four of its five tracks are original Coltrane compositions, and the title track, "Moment's Notice", and " Lazy Bird ", have become standards. Both tunes employed the first examples of his chord substitution cycles known as Coltrane changes.
Coltrane rejoined Davis in January In October of that year, jazz critic Ira Gitler coined the term " sheets of sound "  to describe the style Coltrane developed with Monk and was perfecting in Davis's group, now a sextet.
His playing was compressed, with rapid runs cascading in hundreds of notes per minute. At the end of this period Coltrane recorded Giant Stepshis first album as leader for Atlantic which contained only his compositions. The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition.
Giant Steps uses Coltrane changes. His development of these altered chord progression cycles led to further experimentation with improvised melody and harmony that he continued throughout his career. Coltrane formed his first quartet for live performances in for an appearance at the Jazz Gallery in New York City. Tyner, a native No Tribute Just The Music Of Coltra Philadelphia, had been a friend of Coltrane for some years, and the two men had an understanding that Tyner would join the band when he felt ready.
My Favorite Things was the first album recorded by this band. It was Coltrane's first album on soprano saxophonewhich he began playing with Miles Davis. It was considered an unconventional move because the instrument was not as popular in jazz as other types of saxophone. In MayColtrane's contract with Atlantic was bought by Impulse! He recorded most of his albums for Impulse! By earlybassist Davis had been replaced by Reggie Workmanwhile Eric Dolphy joined the group as a second horn.
The quintet had a celebrated and extensively recorded residency at the Village Vanguardwhich demonstrated Coltrane's new direction. It included the most experimental music he had played, influenced by Indian ragasmodal jazzand free jazz. John Gilmorea longtime saxophonist with musician Sun Rawas particularly influential; after hearing a Gilmore performance, Coltrane is reported to have said, "He's got it!
Gilmore's got the concept! During this period, No.
3 In G Flat Major - Sviatoslav Richter - Mozart, Beethoven, Schubert were divided in their estimation of Coltrane, who had radically altered his style. Audiences, too, were perplexed; in France he was booed during his final tour with Davis.
InDown Beat magazine called Coltrane and Dolphy players of "anti-jazz" in an article that bewildered and upset the musicians. Furthermore, Dolphy's angular, voice-like playing earned him a reputation as a figurehead of the "New Thing", also known as free jazz, a movement led by Ornette Coleman which was denigrated by some jazz musicians including Davis and critics.
But as Coltrane's style developed, he was determined to make every performance "a whole expression of one's being".
InDolphy departed and Jimmy Garrison replaced Workman as bassist. From then on, the "Classic Quartet", as it came to be known, with Tyner, Garrison, and Jones, produced searching, spiritually driven work. Coltrane was moving toward a more harmonically static style that allowed him to expand his improvisations rhythmically, melodically, and motivically. Harmonically complex music was still present, but on stage Coltrane heavily favored continually reworking his "standards": "Impressions", "My Favorite Things", and "I Want to Talk About You".
The criticism of the quintet with Dolphy may have affected Coltrane. In contrast No Tribute Just The Music Of Coltra the radicalism of his recordings at the Village Vanguard, his studio albums in the following two years with the exception of Coltrane, which featured a blistering version of Harold Arlen 's "Out of This World" were much more conservative.
He recorded an album of ballads and participated in album collaborations with Duke Ellington and singer Johnny Hartmana baritone who specialized in ballads. The album Ballads recorded —62 is emblematic of Coltrane's versatility, as the quartet shed new light on old-fashioned standards such as "It's 2Pac - Changes to Remember".
Despite a more polished approach in the studio, in concert the quartet continued to balance "standards" and its own more exploratory and challenging music, as can be heard No Tribute Just The Music Of Coltra the Impressions recorded —63Live at Birdland and Newport '63 both recorded Impressions consists of two extended jams including the title track along with "Dear Old Stockholm", "After the Rain" and a blues.
Coltrane later said he enjoyed having a "balanced catalogue. A culmination of much Allez Mon Vieux - Le Klub Des 7 - Klub Des 7 Coltrane's work up to this point, this four-part suite is an ode to his faith in and love for God. These spiritual concerns characterized much of Coltrane's composing and playing from this point onwards—as can be seen from album titles such as AscensionOm and Meditations.
The fourth movement of A Love Supreme"Psalm", is, in fact, a musical setting for an original poem to God written by Coltrane, and printed in the album's liner notes. Coltrane plays almost exactly one note for each syllable of the poem, and bases his phrasing on the words. On March 6,the group entered Van Gelder Studio in New Jersey and recorded a session that was lost for decades after its master tape was destroyed by Impulse Records to cut down on storage space.
On June 29,Impulse! He was especially influenced by the dissonance of Ayler's trio with bassist Gary Peacockwho had worked with Paul Bleyand drummer Sunny Murraywhose playing was honed with Cecil Taylor as leader. Coltrane championed many young free jazz musicians such as Archie Sheppand under his influence Impulse! A series of recordings with the Classic Quartet in the first half of show Coltrane's playing becoming abstract, with greater incorporation of devices like multiphonicsuse of overtones, and playing in the altissimo register, as well as a mutated return of Coltrane's sheets of sound.
In the studio, he all but abandoned soprano saxophone to concentrate on tenor. The quartet responded by playing with increasing freedom. In Junehe went into Van Gelder's studio with ten other musicians including Shepp, Pharoah SandersFreddie HubbardMarion Brownand John Tchicai to record Ascensiona minute piece that included solos by young avant-garde musicians.
The album was controversial primarily for the collective improvisation sections that After The Rain - Stefano Cantini - Living Coltrane - No Project the solos. After recording with the quartet over the next few months, Coltrane invited Sanders to join the band in September While Coltrane frequently used over-blowing as an emotional exclamation-point, Sanders would overblow entire solos, resulting in a constant screaming and screeching in the altissimo range of the instrument.
By lateColtrane was regularly augmenting his group with Sanders and other free jazz musicians. Rashied Ali joined the group as a second drummer. This was the end of the quartet. Claiming he was unable to hear himself over the two drummers, Tyner left the band shortly after the recording of Meditations.
Jones left in earlydissatisfied by sharing drumming duties with Ali. After Coltrane's death, Tyner and Jones in interviews expressed displeasure with the music's direction, while incorporating some I Like Music (With A Song Like That) - Cab Calloway - Jive Formation Please! the free-jazz form's intensity in their solo work.
There is speculation that in Coltrane began using LSD  informing the "cosmic" transcendence of his late period. After the departure of Tyner and Jones, After The Rain - Stefano Cantini - Living Coltrane - No Project led a quintet with Sanders on tenor saxophone, his second wife Alice Coltrane on piano, Garrison on bass, and Ali on drums.
Coltrane and Sanders were described by Nat Hentoff as " speaking in tongues ". When touring, the group was known for playing long versions of their repertoire, many stretching beyond 30 minutes to an hour.
In concert, solos by band members often extended beyond fifteen minutes. The group can After The Rain - Stefano Cantini - Living Coltrane - No Project heard on several concert recordings fromincluding Live at the Village Vanguard Again!
InColtrane entered the studio several times. Although pieces with Sanders have surfaced the unusual "To Be" has both men on flutemost of the recordings were either with the quartet minus Sanders Expression and Stellar Regions or as a duo with Ali. The latter duo produced six performances that appear on the album Interstellar Space.
Coltrane died of liver cancer at the age of 40 on July 17,at Huntington No Tribute Just The Music Of Coltra on Long Island. His funeral was held four days later at St.
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