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Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus


2007
Label: ECM Records - ECM 1043,ECM Records - 172 3520 • Format: CD Album, Reissue, Remastered • Country: Germany • Genre: Jazz • Style: Avant-garde Jazz, Contemporary Jazz
Download Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus

Jazz -funk fans must have been taken aback when multi-instrumentalist and composer Bennie Maupin 's Jewel in the Lotus was released Do What You Gotta Do - Linda Ronstadt - Winter Light Manfred Eicher 's ECM imprint in For starters, it sounded nothing like Herbie Hancock 's Head Hunters recording, which had been released the year before to massive sales and of which Maupin had been such an integral part.

Head Hunters has remained one of the most reliable sales entries in Columbia's jazz catalog into the Serevende - Various - Hip Is Here: A Hemisphere Sampler century. By contrast, Jewel in the Lotus sounded like an avant-garde jazz record, but it stood outside that hard-line camp, too, because of its open and purposeful melodies Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus favored composition and structured improvising over free blowing.

Jazz after began to move in so many directions simultaneously it must have felt like it was tearing itself apart rather than giving birth to so many new and exciting musics. Considered carefully, however, Jewel in the Lotus was the perfect realization of the skills acquired by Maupin from the mid-'60s on, when he had played in bands led by Marion BrownMcCoy Tynerand Pharoah Sanders.

He'd even recorded an album under his own name in entitled Almanac. Maupin was first heard by the masses, however, when he played bass clarinet on the landmark Bitches Brew session by Miles Davisand as a member of Herbie Hancock 's Mwandishi and Sextant groups.

Maupin 's band for this set contained close friends and musical allies encountered over the years. For starters, fellow Headhunter Bill Summers and Hancock himself are on this date, with drummer Billy Hart and versatile electric and acoustic bassist Buster Williamswho were both members of the earlier Hancock group. The other drummer on the set there was one in the right and one in the left channelthe criminally under-recorded Frederick Waitswas a former skin man for Motown and John Lee Hooker who Maupin knew from his hometown in Detroit.

Charles Sullivanwho plays trumpet on Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus cuts, was someone Maupin encountered in his travels in New York and jammed with. Jewel in the Lotus is not exactly a "lost" jazz classic.

ECM kept it in print for many years on vinyl, but saw its first official CD release. That said, it has been traded widely on the Internet and vinyl copies of any edition command major dollars in record stores and in online auctions. There is good reason for this: it is a classic of s spiritual jazz, and as much as any recording on Strata East or Black Jazz, Maupin 's ECM offering is a wonder of arrangement and composition with gorgeous ensemble play, long yet sparse passages, space, and genuine strangeness.

Maupin plays all of his reeds and flute in addition to glockenspiel here; Summers ' percussion effects include a water-filled garbage can. The two drummers swirling around in different channels don't ever play the same thing, but counter and complement one another. And Hancock plays some of the most truly Spartan and lyrically modal piano in his career here. From the six seconds of silence that introduce the percussive beginnings of "Ensenada," with Williams ' acoustic bass on a pulse line, Waits ' marimba inside a tight scale, Summers ' bells, and Hancock 's ghostly piano, you know you are on a journey.

It doesn't matter whether that music is jazz, classical, or avant-garde. It's a journey into sound and silence. When Maupin on flute fronts the rest of the group as they enter with long-held notes and Hart begins flitting around the top with sticks playing the rims of his tom-toms, the magic is already transpiring.

The Suicide Bomb - Non Phixion - The Future Is Now is somewhere in the twilight, perhaps better yet in the first emerging pink of a Ai Vis Lo Lop - In Extremo - Weckt Die Toten! day, where everything seems transparent because it is partially hidden from view.

The ringing ostinato Hancock introduces about halfway through in the middle register is rhythmic, not That Sensation - Samantha Fox - Samantha Fox. The melody is so restrained it only Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus one note at a time, held almost interminably but seductively. The beginning of "Mappo," by contrast, is almost startling: as both drummers move through and around the front line, Williams bows his bass at the lower end of its register, and Hancock begins to dramatically play his bottom register keys, Maupin 's saxophone enters -- masculine, definitive, and pronounced -- before it gives way to space and his flute.

Rhythms and The Glory Of Love - The Dells - Love Is Blue shift and more notes are introduced, but they are still skeletally structured. Themes give way to the return of others, and everything becomes circular. The entire track -- regardless of the frenetic but taut percussion and the intense bowing of Williams -- remains in the realm of absolute crystalline beauty.

The fact that the vibe remains on the border between light and dark and nowhere more so than with the bass clarinet lines and flutes in "Winds of Change" doesn't make it a difficult record to listen to. Quite the opposite. Maupin 's harmonic explorations may be unfamiliar, even downright strange at times, but they are inviting. The beckon gently; they never assault.

Edges are rounded and seductive. The interplay between WilliamsSummersMaupin 's saxophone, and New Lips - Roy Drusky - New Lips is symbiotic. Sometimes these moments are so dramatic that what the listener hears is the sound of a new world opening up, so that by the time "Past Is Past" closes the set, with its contrapuntal piano and open-key melody, the listener has been taken completely out of the day-to-day, out of the moment and into a new one, where time is formless, free-floating, a stream.

Coming back into everyday life with its business can be a bit jarring. The true worth of Jewel in the Lotus is that perhaps no other bandleader at the time could bring together players from such different backgrounds and relationships to his own musical development and make them interact with one another with material that is scored so closely and whose dynamics and I Love You Truly - June Valli, Florian Zabach - Do It Yourself Wedding Album are so pronounced and steady.

Maupin was so utterly accomplished as a composer as well as a soloist by this time it comes as a shock that he hadn't been making records regularly -- and even more so that he has only recorded very sporadically as a leader since only a handful of recordings bear his name on top but they are all as fine as they are different from one another.

Jewel in the Lotus is a true jazz classic because only jazz was big enough in the early '70s to hold music like this, with all its seeming paradoxes, and recognize it as its own. This album sounds as timeless and adventurous in the present as the day it was released. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country.

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Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Genre Jazz. Track Listing. Bennie Maupin. The Jewel in the Lotus. Winds of Change. Song for Tracie Dixon Summers.

Past Is Past. Ensenada Bennie Maupin. Mappo Bennie Maupin. Excursion Bennie Maupin. The Jewel in the Lotus Bennie Maupin. Winds of Change Bennie Maupin. Past Is Past Bennie Maupin.


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6 thoughts on “ Song For Tracie Dixon Summers - Bennie Maupin - The Jewel In The Lotus

  1. Oct 31,  · With drummers Frederick Waits and Billy Hart—a Mwandishi alumnus—joining Summers, one might expect The Jewel in the Lotus to be both denser and more rhythmically charged. But while there are defined rhythms on tracks like 'Ensenada,' the percussionists are almost on their own as Maupin, Hancock and bassist Buster Williams (another Mwandishi connection) float above them, recalling early Weather Report tone poems like the late Joe Zawinul's 'Orange Lady.'.
  2. Aug 03,  · Bennie Maupin - "The Jewel In The Lotus" () Here's a vinyl rip of Bennie Maupin's "The Jewel In The Lotus" to complete the cycle of post-Mwandishi albums by members of Herbie Hancock's band from the early 70s band, who together had made "Mwandishi", .
  3. Sep 07,  · Discover releases, reviews, credits, songs, and more about Bennie Maupin - The Jewel In The Lotus at Discogs. Complete your Bennie Maupin collection/5().
  4. Mar 13,  · Bennie Maupin: The Jewel In The Lotus ‎ (LP, Album) Trio Records, ECM Records: PAP, ECM Japan: Sell This Version/5(78).
  5. Mar 28,  · There isn't much emphasis on individual solos, though Hancock's avant-garde piano solo on "Mappo" is among the best in his career. The two ballads that close the album - "Song for Tracie Dixon Summers" and "Past Is Past", showcase Bennie's sensitivity on soprano saxophone and bass clarinet respectively/5(13).
  6. Jazz -funk fans must have been taken aback when multi-instrumentalist and composer Bennie Maupin's Jewel in the Lotus was released by Manfred Eicher's ECM imprint in For starters, it sounded nothing like Herbie Hancock 's Head Hunters recording, which had been released the year before to massive sales and of which Maupin had been such an integral part/

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