Label: Of National Importance Records - ONI19 • Format: 20x, File FLAC, Album 24 bit • Country: UK • Genre: Electronic • Style: Dark Ambient, Ambient, Minimal
The Sting is a American caper film set in Septemberinvolving a complicated plot by two professional grifters Paul Newman and Alley Oop - Various - Flashbacks Volume Three Redford to con a mob boss Robert Shaw. Created by screenwriter David S. The title phrase refers to the moment when a con artist finishes the "play" and takes the mark's money.
If a con is successful, the mark does not realize he has been cheated until the con men are long gone, if at all. The film is played out in distinct sections with old-fashioned title cardsthe lettering and illustrations rendered in a style reminiscent of the Saturday Evening Post. The film is noted for its anachronistic use of ragtimeparticularly the melody " The Entertainer " by Scott Joplinwhich was adapted along with others by Joplin for the film by Marvin Hamlisch and a top-ten chart single for Hamlisch when released as a single from the film's soundtrack.
The film's success created a resurgence of interest in Joplin's work. InThe Sting was selected for preservation in the U. National Film Registry of the Library of Congress as being "culturally, historically, or aesthetically significant. The film takes place inin the waning years of the Great Depression. Buoyed by the windfall, The Bells Of The Past - Lyndon Scarfe - Music For A Lost Film: Volume 2 (File announces his retirement and advises Hooker to seek out an old friend, Henry Gondorff, in Chicago to teach him "the big con".
Unfortunately, their victim was a numbers racket courier for vicious crime boss Doyle Lonnegan. Having already blown his share on a single roulette spin, Hooker pays Snyder in counterfeit bills. Lonnegan's men murder both the courier and Luther, and Hooker flees for his life to Chicago.
Hooker finds Henry Gondorff, a once-great con-man now hiding from the FBIand asks for his help in taking on the dangerous Lonnegan. Gondorff is initially reluctant, but he relents and recruits a core team of experienced con men to dupe Lonnegan. They decide to resurrect an elaborate obsolete scam known as "the wire", using a larger crew of con artists to create a phony off-track betting parlor.
Aboard the opulent 20th Century LimitedGondorff, posing as boorish Chicago bookie Shaw, buys into Lonnegan's private, high-stakes poker game. Hooker, posing as Shaw's disgruntled employee, Kelly, is sent to collect the winnings and instead convinces Lonnegan that he wants to take over Shaw's operation. Kelly reveals that he has a partner named Les Harmon actually con man Kid Twist in the Chicago Western Union office, who will allow them to win bets on horse races by past-posting.
Meanwhile, Snyder has tracked Hooker to Chicago, but his pursuit is thwarted when he is summoned by undercover FBI agents led by Agent Polk, who orders him to assist in their plan to arrest Gondorff using Hooker. At the same time, Lonnegan has grown frustrated with the inability of his men to find and kill Hooker for the Joliet con. Unaware that Kelly is Hooker, he demands that Salino, his best assassin, be given the job.
A mysterious figure with black leather gloves is then seen following and observing Hooker. Kelly's connection appears effective, as Harmon provides Lonnegan with the winner of one horse race and the trifecta of another. Polk forces Hooker to betray Gondorff by threatening to incarcerate Luther Coleman's Speak To Me - Nicodemus And Matchez The Congo Kid* - Backstreet Orange. The night before the sting, Hooker sleeps with Loretta, a waitress from a local restaurant.
As Hooker Cycle - Various - Oris the building the next morning, he sees Loretta walking toward him.
The black-gloved man appears behind Hooker and shoots her dead Album) she was Lonnegan's hired killer, Loretta Salino, and the gunman was hired by Gondorff to protect Hooker. As the race begins, Harmon arrives and expresses shock at Lonnegan's bet, explaining that when he said "place it" he meant, literally, that Lucky Dan would "place" i.
In a panic, Lonnegan rushes the teller window and demands his money back. A moment later Polk, Lt. Snyder, and a half dozen FBI agents storm the parlor. Polk confronts Gondorff, then tells Hooker he is free to go. Gondorff, reacting to the betrayal, shoots Hooker in the back. Polk then shoots Gondorff and orders Snyder to get the ostensibly -respectable Lonnegan away from the crime scene. With Lonnegan and Snyder safely away, Hooker and Gondorff rise amid cheers and laughter. Agent Polk is actually Hickey, a con man, running a con atop Gondorff's con to divert Snyder and provide a solid "blow off".
As the con men strip the room of its contents, Hooker refuses his share of the money, saying "I'd only blow it", and walks away with Gondorff. Screenwriter David S. Ward has said in an interviews that he was inspired to write The Sting while doing research on pickpockets, saying, "Since I had never seen a film about a confidence man before, I said I gotta do this. They don't have to know how a scheme works, and they don't mind a twist or two, but it's important for the story to feature clearly recognizable 'good' and 'bad' characters.
He also imagined an underground brotherhood of thieves who assemble for a big operation and then melt away after Angel Tears - Angel Tears / Tout Le Monde "mark".
Rob Cohen later director of action films such as The Fast and the Furious years later told of how he found the script in the slush pile when working as a reader for Mike Medavoya future studio head, but then an agent. Universal bought it that afternoon, and Cohen keeps the coverage framed on the wall of his office. David Maurer sued for plagiarism, claiming the screenplay was based too heavily on his book The Big Conabout real-life tricksters Fred and Album) Gondorff. Ward, who had used many nonfiction books as research material and had not really plagiarized any of them.
Ward originally wrote Henry Gondorff as a minor character who was an overweight, past-his-prime slob, but once Paul Newman became associated with the movie, Gondorff was rewritten as a slimmer character and his part was expanded in order to maximize the second partnership of Newman and Redford. Newman had been advised to avoid doing comedies because he didn't have the light touch, but accepted the part to prove that he could handle comedy just as well as drama.
Newman Naomi Sagara - Inochi no Kokage a hit considering his last Album) films Album) he had made prior to The Sting had been box-office disappointments. Much to her relief, Newman had sent the script to Robert Shaw while shooting The Mackintosh Man in Ireland to ensure his participation in the film.
Philips's book asserts that Shaw was not nominated for a Best Supporting Actor Academy Award because he demanded that his name follow those of Newman and Redford before the film's opening title. Shaw's character's limping in the film was authentic.
Shaw had slipped on a wet handball court at the Beverly Hills Hotel a week before filming began and had injured the ligaments in Velvet Reptile - Solar Fields - Red (File, Album) knee. He wore a leg brace during production which was hidden under the wide s style trousers. Hill decided that the film would be reminiscent of movies from the s and watched films from that decade for inspiration.
While studying '30s gangster films, Hill noticed that most of them rarely had extras. So I deliberately avoided using extras. Along with art director Henry Bumstead and cinematographer Robert L. SurteesHill devised a colour scheme of muted browns and maroons for the film and a lighting design that combined old-fashioned s-style lighting with some modern tricks of the trade to get the visual look he wanted.
Edith Head designed a wardrobe of snappy period costumes for the cast, and artist Jaroslav Gebr created inter-title cards to be used between each section of the film that were reminiscent of the golden glow of old Saturday Evening Post illustrations—a popular publication of the s.
One of them was his own one-of-a-kind Pierce Arrow, which served as Lonnegan's private car. As of Augustit is the 20th highest-grossing film in the United Album) adjusted for ticket price inflation. One forgives its unrelenting efforts to Album), if only because 'The Sting' itself is a kind of con game, devoid of the poetic aspirations that weighed down 'Butch Cassidy and the Sundance Kid.
Ward's finely-crafted story of multiple deception and surprise ending will delight both mass and class audiences. Extremely handsome production values and a great supporting cast round out the virtues.
It creeps cranking on, section after section, and it doesn't have Letter From Home - Clay Tyson - Straight From The Horses Mouth good spirit. Inthe film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The Writers Guild of America ranked the screenplay 39 on its list of Greatest Screenplays ever written. The film won seven Academy Awards and received three other nominations. The soundtrack album, executive produced by Gil Rodinincluded several Scott Joplin ragtime compositions, adapted by Marvin Hamlisch. According to Joplin scholar Edward A.
Berlinragtime had experienced a revival in the s due to several separate, but coalescing events:. There are some variances from the film soundtrack, as noted. Joplin's music was no longer popular by the s, although its use in The Sting evokes the s gangster movie, The Public Enemywhich featured Joplin's music. The album sequence differs from the film sequence, a standard practice with vinyl LPs, often for aesthetic reasons.
Some additional content differences:. Mark Hollmann and Greg Kotis music and lyricswriter Bob Martinand director John Rando created a stage musical version of the movie. Its "making of" featurette, The Art of the Stingincluded interviews with cast and crew. The film was released on Blu-ray inas part of Universal's th anniversary releases. From Wikipedia, the free encyclopedia. Redirected from The Sting film. This article is about the film.
For other uses, see Sting. Theatrical release poster by Richard Amsel. William Snyder, Joliet P. Ray Walston as J. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed.
The Entertainer. A live performance of "The Entertainer", by Scott Joplin. The Numbers. Retrieved January 4, TCM database. Turner Classic Movies. Retrieved February 23, Berlin Classical Net.
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